Mason’s Tuba Euphonium Ensemble is going strong with performances scheduled throughout the spring
BY IZZ LAMAGDELEINE, COPY CHIEF
When most people think of a professional music ensemble, they think of a symphonic band or a jazz group. However, Mason has plenty of other musical talent to offer for listening ears. The Tuba Euphonium Ensemble, a group composed entirely of the lowest of brass instruments, is one of them.
The ensemble is led by Dr. Dave Porter, one of the tuba instructors in the School of Music, known simply as “Dr. Dave” to those who play under him. The group has improved greatly in the last several years, playing their music at world-class events and competitions.
“We picked out the repertoire starting in the fall and started rehearsing, working on it, and then we performed some of it,” Porter said about the music that they played in their concert Sunday, April 7. “And some of it is also going to ITEC [the International Tuba Euphonium Conference] in Iowa … because that’s a … global event. So because it is, we picked out pieces we could rehearse all year and make better.”
The group rehearses once a week on Friday afternoons, with additional rehearsals held if individual members need the practice. Jordan Gibson, a sophomore English major, arrives late each week because she has to work during most of the group’s normal rehearsal time. “Catching up is kinda hard, but yeah, I’m excited to play the pieces,” she said.
Even though Gibson misses a majority of the rehearsals, Porter works around schedules with the students as long as they show that they are committed to their and the group’s success. “If they want to be in it, then I’ll bend over backwards to help somebody play in it,” he said. “If they don’t want to be in it, [or] if they want to be in it and just not do anything, I’m like, ‘Oh, that’s not [OK.]’”
The ensemble also has to keep in mind the challenge of being a group composed of only tubas and euphoniums. “We’re always listening for the melody. Whatever we’re doing, [we’ve] got to hear the melody,” Porter said. “And we also listen for the bottom tuba part, the lowest tuba part. So we have the melody and the lowest tuba part, and then the other voices fill in, and that gets a real rich balance.” During rehearsal, the members work to ensure that this is happening every time they play, as well that no one player or part is overpowering the group.
Another issue is finding funding for all that the group wants to do.
“We’ve received a couple of invites from leading players in the brass fields, to come out and attend their conferences and be the premier thing happening,” Jacob Aeschleman, a music major and the current vice president of the group, said. “So that’s our goal next go-around.
“The problem was financing, as always. It takes a lot of money to move 13 people and 13 instruments and house them for a week. I know our trip to Iowa is going to cost us between [$4,000] and $5,000 dollars, so we’re trying to figure out how we’re going to cover that right now.”
Even with all of the challenges that can come with the ensemble, both Porter and the group’s members highly enjoy it.
Gibson said that time management was what she most learned from being a member of the group. “That’s what I can use in the future with Tuba-Euph that I can use with anything,” she said.
“For me, I’m very passionate about the sound of tubas and euphoniums playing,” said Porter. “That’s basically what keeps me going. There’s something exciting about it. I love listening to it. I love playing it. I love helping to make it sound better … and I haven’t gotten tired of it yet, so we’ll see.”
The Tuba Euphonium Ensemble will be kept busy after their concert, with five more performances to round out their year, including at A Musical Feast May 4 and a 50th-anniversary tribute to Woodstock May 5.